I interviewed Mad Men composer David Carbonara in May of 2012 for WRTI and Now is the Time. With the season premiere of the show this Sunday, WRTI is re-posting the interview.
He’s a great guest. It’s all about TV composing, last-minute surprises, what producers talk about on the other side of the studio glass, hurrying, and last-minute surprises. Something for all composers!
The interview was included in the Now is the Time broadcast of 20 May 2012, but you can hear the interview anytime here. I may get around to re-broadcasting the show, as sometimes we run encores, but in the meantime, check this out:
Matthew Weiner, the creator of the hugely popular TV series Mad Men—now in its fifth season—works very hard at going beneath the surface to capture the look of the 1960s, from company logo typefaces to office equipment tints to the shine in a pair of trousers. Mad Men composer David Carbonara labors just as much on the show’s music to express that era; he’s a composer of acutely original pieces.
Mad Men, Original Soundtrack from the TV Series, Vol. 1 is filled mostly with standards from artists such as Gordon Jenkins (“Caravan”), Vic Damone (“On the Street Where You Live”), and Ella Fitzgerald, who makes an appearance with “Manhattan.” “Fly Me to the Moon” is Julie London’s luscious pizzicato-tinged string version, not Frank Sinatra’s better-known big-band hit.
But for lovers of music in the cracks—not pop, not concert, but what, exactly—the reason to look for this CD may be David Carbonara himself.
Weiner chooses most of the period songs, but “Lipstick” by Carbonara is a distillation (if you will, given all the imbibing in the series) of music in the twilight: slightly lounge, slightly jazz, and as rebellious as one may appear while keeping one’s hair in place. It’s the sound of muted trumpets, punchy trombones, low flutes, snapping fingers, walking bass lines, one-handed laconic piano playing (necessary while stubbing out a cigarette), and that child of the time, the Hammond organ. His “Mad Men Suite” is likewise all delicately drawn atmosphere.
A big surprise is the inclusion of the traditional round “Babylon,” known by many (anachronistically for the show) from Don McLean’s 1971 album American Pie. In one episode it was worked into a Village mandolin-strummed folk happening (with Carbonara briefly on camera, playing autoharp!). Its text comes right out of Psalm 137, “By the waters of Babylon, we laid down and wept, when we remembered Zion.”
What that has to do with the advertising world, legions of die-hard Mad Men fans will know. There’s a lot going on here beneath the surface.
It’s all styles of concert music by living American composers. Here are the recording details and complete schedule, and because you really wanted to know, here’s the theme music and how it was written. Tell me what you think (if I can’t take it, I promise to write back), and ask me where you can send CDs for broadcast consideration.
