by Kile Smith | Mar 16, 2013 | Choral music, New Compositions
[First published 16 Mar 2013 in the Broad Street Review and reprinted with permission.] Because Donald Nally and The Crossing have performed my music, anything favorable I write about them might be read as biased. But I wanted to describe the effect of Thomas Lloyd’s...
by Kile Smith | Oct 16, 2012 | American music, Art songs, new music, Vocal music
What a program Sunday afternoon! Lyric Fest’s “Old City—New Song II” at The Academy of Vocal Arts was a straight-up no-foolin’ art song recital, a heliotrope bouquet of tunes brand-new, kind of new, and new. They were all 20th- and 21st-century...
by Kile Smith | Apr 30, 2012 | Baroque music, Choral music, church music, Classical music
Thomas Lloyd agrees and disagrees a bit with me in the Letters section of the Broad Street Review. We corresponded quite a bit on this, after my article (itself a response) on Bach, the St. John Passion, and the charge of anti-Semitism. Our emails drifted into the...
by Kile Smith | Feb 7, 2010 | CD Reviews, Choral music, church music, Spirituality
A very thoughtful essay by Thomas Lloyd appears in the February 2010 Choral Journal. It casts an eye on David Lang’s Pulitzer-winning the little match girl passion, Phil Kline’s John the Revelator, and my Vespers. Here’s a bit of it: These three premiere recordings of...
by Kile Smith | Dec 4, 2009 | Choral music, New Compositions, new music
I can think of just two works that I have written with no performance in mind. Now ys the tyme of Crystymas is one of them. I was looking for a Christmas card. Back then (this was in 1997), the Free Library ran a gift shop just off the lobby, and in a display of...