Kile Smith

Composer

 

 

“There is no other music like this.”—Craig Hella Johnson

“Our jaws just dropped”

Joan Kimball, Co-Artistic Director, Piffaro, the Renaissance Band

“One of our most important composers”

Craig Hella Johnson, Artistic Director, Conspirare

“He knows how to generate an emotional life out of a few tiny notes—and that’s the only thing that matters”

Donald Nally, Conductor, The Crossing

“Kile Smith is reshaping the choral repertoire”

Cincinnati Movers & Makers

“Sublimely ... ecstatically beautiful”

David Patrick Stearns, Philadelphia Inquirer

“At the top of his craft ... advancing the choral art form”

George Case, conductor

“Smith’s vocal writing is eerily beautiful”

Boston Classical Review

“There is no other music like this. Utterly unique.”

Craig Hella Johnson, Conspirare

The Arc in the Sky: “maybe his best piece yet”

David Patrick Stearns, Philadelphia Inquirer

The Arc in the Sky: “Masterful ... exhilarating ... emotionally charged ... Smith has set a new standard for himself. Strongly recommended.”

Jonah Pearl, The Classic Review

The Arc in the Sky: “a masterpiece of emotional expressivity and spiritual revelation”

Michael Caruso, Chestnut Hill Local

The Arc in the Sky: “shimmering music that never quite goes where you think it will”

Jennifer Hambrick, WOSU Public Media

The Arc in the Sky: “a great explosion of energy ... rich and expansive ... real zest in both music and performance”

John Quinn, MusicWeb International

April Showers: “So incredibly beautiful ... such a joy to sing”

Simon Barrad, baritone

Canticle: “Achingly beautiful”

Milwaukee Journal Sentinel

Canticle: “The writing for voices is exquisite ... contemplative, playful, devotional, exuberant, and sensual.”

Andrew Quint, The Absolute Sound

“His music attracts and inspires a broad spectrum of listeners — from serious classical musicians to lovers of blues, folk and jazz”

Craig Hella Johnson, Artistic Director, Conspirare

Vespers: “like no other music”

Miami Herald

Vespers: “a major new work”

American Record Guide

Vespers: “almost preternaturally beautiful”

Philadelphia City Paper

Vespers: “one of the finest concerts I’ve heard in at least the last decade”

Chestnut Hill Local

Vespers: “spectacular”

Gramophone

Vespers: “ecstatically beautiful ... a sanctuary ... the Magnificat contains a minor miracle”

Philadelphia Inquirer

Vespers: “altogether gorgeous and haunting”

Buffalo News

Vespers: “a magnificent achievement ... fresh, vibrant ... bursts with the invention that characterizes the best music”

Fanfare

Vespers: “a crime to pass up ... easily one of the best releases of the year of any type ... profoundly direct emotional appeal”

Audiophile Audition

Vespers: “worldwide buzz ... exceptionally beautiful ... sneaks up on you, like a velvety cocktail, and then you are hooked”

Philadelphia City Paper Top Ten Classical

Deo Gratias: “almost giddy ... richly gratifying ... recalls Hugo Distler, but with a lighter heart and a natural exuberance”

Choral Journal

“His voice is unlike any other”

Craig Hella Johnson, Artistic Director, Conspirare

The Consolation of Apollo: “Top Ten… a highlight of the year”

TheaterJones, Dallas

The Consolation of Apollo: “will inspire your singers and audience to new heights”

David Montoya, California Choral Directors Association

“The piece I personally found most compelling was Kile Smith’s ‘Yes, it’s beautiful’ from The Consolation of Apollo ... stunning”

South Carolina Music Guide

The Bremen Town Musicians: "fun...a spritely, high-spirited score by Kile Smith"

Fanfare

Reflection, for organ: “Six minutes of pure musical bliss that brought tears to this reviewer’s eyes”

The Diapason

Alleluia: “going to be a staple of the choral repertoire”

Craig Hella Johnson, Artistic Director, Conspirare

A Child’s Afternoon: “spontaneous sounds of delight from the audience ... every time. We are lucky to have this piece.”

Anna Meyer, flutist

A Child’s Afternoon: “a slow burn ... the same delighted reaction ... every time I perform this piece. The anticipation ... is palpable”

Anna Meyer, flutist

American Spirituals: “among the very best examples of that type of composition that I’ve ever heard, bar none”

John McLaughlin Williams, conductor, violinist

Where Flames a Word: “an important world premiere … feels completely right in spellbinding ways I never imagined”

Philadelphia Inquirer

“The Waking Sun is a hit”

Philadelphia Inquirer

“Immediate appeal due to his melodic gift ... not forced or artificial”

Fanfare

Fanfare on Ein feste Burg: “Smith’s bristling variations ... exploded into life”

Minneapolis Star Tribune

Red-tail and Hummingbird: “excellent … distant kinship to Monteverdi’s Orfeo overture … more rapid and dense”

Philadelphia Inquirer

A Song of Sonia Sanchez: “the most dramatic piece of the evening … a deafening performance, physically and emotionally”

Temple University News

A Song of Sonia Sanchez: “one of the most powerful pieces of the evening”

Latinoamérica, Philadelphia

Two Laudate Psalms: “natural, un-ostentatious simplicity ... near-invisible touches ... The God-is-in-the-details adage holds true”

Philadelphia Inquirer

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About

Kile Smith’s music, the recipient of three Grammy nominations, is hailed nationally and internationally for its strong voice, sheer beauty, and “profoundly direct emotional appeal.” He has commissions from The Crossing, Conspirare, Piffaro, Cincinnati’s Vocal Arts Ensemble, Santa Fe Desert Chorale, Chor Leoni, Helena Symphony, Choral Arts Society of Washington, Lyric Fest, Westminster Choir College, Mendelssohn Club of Philadelphia, Newburyport Chamber Music Festival, the Pennsylvania and iSing Girlchoirs, Choral Arts Washington, Choral Arts Philadelphia, and Gaudete Brass.

The Singing Guitar (Conspirare, Craig Hella Johnson) including Kile’s The Dawn’s Early Light with the L.A. Guitar Quartet and cellist Douglas Harvey, received a 2022 Grammy nomination for Best Choral Performance. The English Symphony Orchestra released The Bremen Town Musicians with Gemma Whelan, narrator, on CD. The Philadelphia Orchestra featured Bremen in their “Our City, Your Orchestra” chamber music series. Ave Maris Stella was commissioned and premiered by Piffaro, the Renaissance Band in 2021 with Variant 6. Ricardo Morales premiered There’s a Land Beyond the River, for clarinet and piano. The Arc in the Sky with The Crossing received a 2020 Grammy nomination for Best Choral Performance, and the Canticle CD by Cincinnati’s Vocal Arts Ensemble helped win the 2020 Classical Producer of the Year Grammy for Blanton Alspaugh. Hal Leonard publishes Alleluia, Rise Up, Shepherd, and Follow, The Star-Spangled Banner, and I Heard the Bells on Christmas Day. A Birch in Winter included Kile’s Where Flames a Word and won the 2020 Estonian Recording of the Year for Voces Musicales.

Major choral works are heard in New York, Chicago, Boston, San Francisco, Dallas, Canada, England, and New Zealand. Gramophone called Vespers “spectacular” and Audiophile Audition, “easily one of the best releases of the year of any type… a crime to pass up.” Westminster Choir sang The Consolation of Apollo in 2022, continuing its run of over 50 performances. Ten CDs with his music have been released since 2018. Kile has also been performed by Seraphic Fire, The 24, the Chamber Orchestra of Philadelphia, the Sofia Philharmonic, the Grand Rapids and Delaware symphonies, Orchestra 2001, and Network for New Music. Kile’s first opera, The Book of Job, co-commissioned by The Crossing and Conspirare, premieres in Austin and Philadelphia in the 2023/24 season. [Photo Credit: A. J. Waltz]

Longer bio here …

News

 

GRAMMY nominations
The Dawn’s Early Light. 2022 GRAMMY® nomination for Best Choral Performance, The Singing Guitar – Craig Hella Johnson, Conspirare, Austin Guitar Quartet, Los Angeles Guitar Quartet, Texas Guitar Quartet, Douglas Harvey, Estelí Gomez — Chicago Tribune Top 10 Classical Album, 2020 — WRTI Best of 2020 Album — Apple Music Featured New Album — Qobuz Grand Selection

The Arc in the Sky. 2020 GRAMMY® nomination for Best Choral Performance, The Crossing, Donald Nally

Canticle. Cincinnati’s Vocal Arts Ensemble, Craig Hella Johnson, helped win 2020 Classical Producer of the Year GRAMMY® for Blanton Alspaugh

Commissions
The Book of Job. Opera for bass-baritone and chorus. Commissioned by The Crossing and Conspirare, premieres 2023/24 season
New Work. Santa Fe Desert Chorale, 2023
New Work, Chor Leoni, 2024
Thirty Variations on a Theme of Bartók. Milena Urban, piano, 30th Anniversary commission by Community Music School, Trappe, PA
Ave Maris Stella. Commissioned and premiered by Piffaro, the Renaissance Band with Variant 6, Oct 2021. “Held the audience spellbound”—Broad Street Review. “Endlessly inventive … dramatic … three-dimensional gestures”—David Patrick Stearns
Rise Up, Shepherd, and Follow. SATB, orchestra. Premiered Kennedy Center, Dec 2021, Choral Arts Society of Washington, D.C., Scott Tucker, artistic director
Sometimes It Happens So. Five-song cycle, the estate of poet Jane Flanders

Recordings
The Bremen Town Musicians, for orchestra. On the CD Fiddles, Forests, and Fowl Fables with Gemma Whelan, narrator, Kenneth Woods, conductor

Performances—recent & coming up (Complete Calendar here)
3 Apr. God So Loved the World. Grace First Presbyterian, Stan DeWitt, Long Beach, CA
9 Apr. Finished revision of Mazurka for guitar
22 Apr. Where the Mind Is Without Fear. Premiere. University of New Mexico Concert Choir, David Edmonds
23 Apr. Thirty Variations on a Theme of Bartók. Premiere. Milena Urban, piano, Community Music School 30th Anniversary, Trappe, PA
24 Apr. Mazurka. Premiere. Tom Clippinger, Guitar International Salon, Los Angeles
29 Apr. Kile Smith and The Waking Sun, presentation by James Higgs, DMA student, Choral Literature, University of Arizona
May. Kile Smith and April Showers, paper by Anthony Zogaib, History of Western Music, Case Western Reserve University
12 May. I Want to Write a Book of Praise from The Arc in the Sky. Chor Leoni and The Leonids, Erick Lichte. Vancouver, BC, Canada
12 May. The Consolation of Apollo. Westminster Choir College, James Jordan
13 May. I Want to Write a Book of Praise from The Arc in the Sky. Chor Leoni and The Leonids, Erick Lichte. Vancouver, BC, Canada
14 May. You Are Most Welcome. Nexus Vocal Ensemble, Lennie Cottrell, Portland OR
22 May. New arrangements for treble voices and harp of Psalm 113 from Vespers, and Monstra te essem matrem from Ave Maris Stella. iSing Girlchoir, Jennah Delp. Cathedral Basilica of St. Joseph San Jose CA, 4:00
22 May. New arrangements for treble voices and harp of Psalm 113 from Vespers, and Monstra te essem matrem from Ave Maris Stella. iSing Girlchoir, Jennah Delp. Cathedral Basilica of St. Joseph San Jose CA, 6:30
28 May. Sometimes It Happens So. Five-song cycle premiere, Benjamin Flanders, baritone, Nell Flanders, piano, Bryn Mawr College
5 Jun. Grandmother’s Garden. Gleeksman-Kohn Children’s Choir, Settlement Music School, Rae Ann Anderson. First United Methodist, Germantown, Philadelphia, 4:00

New Publications
Alleluia. SATB. Hal Leonard
The Bremen Town Musicians, for narrator & orchestra; for narrator & for violin, cello. MusicSpoke
Rise Up, Shepherd, and Follow. SATB, piano. Hal Leonard
The Star-Spangled Banner. SATB, piano, opt cello. Hal Leonard

 

Featured Video

Where the Mind Is Without Fear. SATB, 4’30”. Text by Rabindranath Tagore (1861–1941), from Gitanjali (Song Offerings), No. 35 (1912). Commissioned by the University of New Mexico Concert Choir, Dr. David Edmonds, Conductor. Premiered by them 22 Apr 2022.