Kile Smith

Composer

 

 

“There is no other music like this.”—Craig Hella Johnson

The Consolation of Apollo: “A masterpiece. One of the most moving pieces of choral music written in the last 10 years.”

Christopher Jackson, Artistic Director, Bach Choir of Bethlehem

“Our jaws just dropped”

Joan Kimball, Co-Founder, Piffaro, the Renaissance Band

“One of our most important composers”

Craig Hella Johnson, Artistic Director, Conspirare

“He knows how to generate an emotional life out of a few tiny notes—and that’s the only thing that matters”

Donald Nally, Conductor, The Crossing

“Kile Smith is reshaping the choral repertoire”

Cincinnati Movers & Makers

Monstra te esse matrem: “It’s like a lullaby for my soul”

A singer from iSing Silicon Valley, after rehearsal

“Sublimely ... ecstatically beautiful”

David Patrick Stearns, Philadelphia Inquirer

“At the top of his craft ... advancing the choral art form”

George Case, conductor

“Smith’s vocal writing is eerily beautiful”

Boston Classical Review

“There is no other music like this. Utterly unique.”

Craig Hella Johnson, Conspirare

The Arc in the Sky: “maybe his best piece yet”

David Patrick Stearns, Philadelphia Inquirer

Vespers: “a glowingly beautiful work ... stylistically timeless”

Peter Burwasser, The Absolute Sound, March 2024

The Arc in the Sky: “Masterful ... exhilarating ... emotionally charged ... Smith has set a new standard for himself. Strongly recommended.”

Jonah Pearl, The Classic Review

The Arc in the Sky: “a masterpiece of emotional expressivity and spiritual revelation”

Michael Caruso, Chestnut Hill Local

The Arc in the Sky: “shimmering music that never quite goes where you think it will”

Jennifer Hambrick, WOSU Public Media

The Arc in the Sky: “a great explosion of energy ... rich and expansive ... real zest in both music and performance”

John Quinn, MusicWeb International

April Showers: “So incredibly beautiful ... such a joy to sing”

Simon Barrad, baritone

Canticle: “Achingly beautiful”

Milwaukee Journal Sentinel

Canticle: “The writing for voices is exquisite ... contemplative, playful, devotional, exuberant, and sensual.”

Andrew Quint, The Absolute Sound

“His music attracts and inspires a broad spectrum of listeners — from serious classical musicians to lovers of blues, folk and jazz”

Craig Hella Johnson, Artistic Director, Conspirare

Vespers: “like no other music”

Miami Herald

Vespers: “a major new work”

American Record Guide

Vespers: “almost preternaturally beautiful”

Philadelphia City Paper

Vespers: “one of the finest concerts I’ve heard in at least the last decade”

Chestnut Hill Local

Vespers: “spectacular”

Gramophone

Vespers: “ecstatically beautiful ... a sanctuary ... the Magnificat contains a minor miracle”

Philadelphia Inquirer

Vespers: “altogether gorgeous and haunting”

Buffalo News

Vespers: “a magnificent achievement ... fresh, vibrant ... bursts with the invention that characterizes the best music”

Fanfare

Vespers: “a crime to pass up ... easily one of the best releases of the year of any type ... profoundly direct emotional appeal”

Audiophile Audition

Vespers: “worldwide buzz ... exceptionally beautiful ... sneaks up on you, like a velvety cocktail, and then you are hooked”

Philadelphia City Paper Top Ten Classical

Deo Gratias: “almost giddy ... richly gratifying ... recalls Hugo Distler, but with a lighter heart and a natural exuberance”

Choral Journal

“His voice is unlike any other”

Craig Hella Johnson, Artistic Director, Conspirare

The Consolation of Apollo: “Top Ten… a highlight of the year”

TheaterJones, Dallas

The Consolation of Apollo: “will inspire your singers and audience to new heights”

David Montoya, California Choral Directors Association

“The piece I personally found most compelling was Kile Smith’s ‘Yes, it’s beautiful’ from The Consolation of Apollo ... stunning”

South Carolina Music Guide

The Bremen Town Musicians: "fun...a spritely, high-spirited score by Kile Smith"

Fanfare

Reflection, for organ: “Six minutes of pure musical bliss that brought tears to this reviewer’s eyes”

The Diapason

Alleluia: “going to be a staple of the choral repertoire”

Craig Hella Johnson, Artistic Director, Conspirare

A Child’s Afternoon: “spontaneous sounds of delight from the audience ... every time. We are lucky to have this piece.”

Anna Meyer, flutist

A Child’s Afternoon: “a slow burn ... the same delighted reaction ... every time I perform this piece. The anticipation ... is palpable”

Anna Meyer, flutist

American Spirituals: “among the very best examples of that type of composition that I’ve ever heard, bar none”

John McLaughlin Williams, conductor, violinist

Where Flames a Word: “an important world premiere … feels completely right in spellbinding ways I never imagined”

Philadelphia Inquirer

“The Waking Sun is a hit”

Philadelphia Inquirer

“Immediate appeal due to his melodic gift ... not forced or artificial”

Fanfare

Fanfare on Ein feste Burg: “Smith’s bristling variations ... exploded into life”

Minneapolis Star Tribune

Red-tail and Hummingbird: “excellent … distant kinship to Monteverdi’s Orfeo overture … more rapid and dense”

Philadelphia Inquirer

A Song of Sonia Sanchez: “the most dramatic piece of the evening … a deafening performance, physically and emotionally”

Temple University News

A Song of Sonia Sanchez: “one of the most powerful pieces of the evening”

Latinoamérica, Philadelphia

Two Laudate Psalms: “natural, un-ostentatious simplicity ... near-invisible touches ... The God-is-in-the-details adage holds true”

Philadelphia Inquirer

2025 Calendar

8 Jan. Finished, Jesus Stood on the Shore. SATB, SATB soloists, organ, 20′
9 Jan. Revised SATB arr. of America the Beautiful; added 2nd Soprano
1 Feb. Wie schön leuchtet from Vespers. American Kantorei, Maurice Boyer, Concordia Seminary, St. Louis
2 Feb. Wie schön leuchtet from Vespers. American Kantorei, Maurice Boyer, St. Paul’s Lutheran, Des Peres, MO
PREMIERE 28 Feb. Jesus Stood on the Shore. Choir and organ, 20′. Church of the Blessed Sacrament, Michael Plagerman, Seattle
PREMIERE 9 Mar. Jubilate Deo for chorus and orchestra. Susquehanna Symphony Orchestra, Sheldon Bair, Bel Air, MD
PREMIERE 14 Mar. Endless Morn of Light. Sylvan Viol Consort, Variant 6. Fleisher Art Memorial, Philadelphia
15 Mar. Endless Morn of Light. Sylvan Viol Consort, Variant 6. First and Central Presbyterian, Wilmington, DE
16 Mar. Endless Morn of Light. Sylvan Viol Consort, Variant 6. Levering Mill Tribute House, Bala Cynwyd, PA
PREMIERE 26 Apr. Even the Grass Must Sing. The Choristers with orchestra, Lansdale, PA, David Spitko
PREMIERE 14 Jun. Let All the Strains of Joy (Tagore). The Crossing, Donald Nally. Presbyterian Church of Chestnut Hill, Philadelphia
24 Jul. Northland. Santa Fe Desert Chorale, Joshua Habermann. Cathedral Basilica of St. Francis of Assisi, Santa Fe, NM
27 Jul. Northland. Santa Fe Desert Chorale, Joshua Habermann. Cathedral Basilica of St. Francis of Assisi, Santa Fe, NM
1 Aug. Northland. Santa Fe Desert Chorale, Joshua Habermann. Cathedral Basilica of St. Francis of Assisi, Santa Fe, NM

2024 Highlights

PREMIERE 3 Mar. Come, Ye Sinners. 2-pt, org version. Martin Luther Chapel, Pennsauken, NJ, Jacqueline Smith
RELEASED 8 Mar. Where Flames a Word, on Tapestry from Choral Arts Initiative, Brandon Elliott
PREMIERE 31 Mar. Behold, the Best, the Greatest Gift. 2-pt, org version. Martin Luther Chapel, Pennsauken, NJ, Jacqueline Smith
PREMIERE 11 Apr. I Love You Truly from Wireless. Chor Leoni, Erick Lichte
PREMIERE 21 Apr. My Shepherd Will Supply My Need. 2-pt, org version. Martin Luther Chapel, Pennsauken, NJ, Jacqueline Smith
PREMIERE 10 May. Wireless. Chor Leoni, Erick Lichte
19 May. Where Flames a Word, Choral Arts Initiative, Brandon Elliott, Newport Beach, CA
2 Jun. Adieu, Adieu. Relâche, Black Squirrel Club, Philadelphia
8, 10 Jun. Monstra te essem matrem (SSA, harp) and Psalm 113 (SSAA, harp). iSing Girlchoir, Jennah Delp. Berkeley Festival
27 Jun. Jerusalem, from The Arc in the Sky, and Conversation in the Mountains, from Where Flames a Word. The Crossing, Donald Nally, Month of Moderns 2, Presbyterian Church of Chestnut Hill, Philadelphia
6 Jul. “Why Did They All Shout?” from The Arc in the Sky, Reading Bach Choir, Daniel Mahoney, Caversham, Reading, Great Britain
PREMIERE 11 Jul. Arise, O Lord (Psalm 132) for SATB, org, 10′. Psalm Festival of the 2024 Lutheran Church—Missouri Synod Institute for Liturgy, Preaching and Church Music, Seward, Nebraska, the Bellevue Singers and organist Jacob Weber, conducted by A.J. Reimer.
PREMIERE 18 Oct. Dark Is the Night and Green Is the Grass (Tumša nakte, zaļā zāle). Riga Project Choir, Latvia, Christopher Walsh Sinka
​3 Nov. The Bremen Town Musicians. Premiere Performances, Musical Fairytales, Hong Kong, Andrea Fessler, two performances
16 Nov. The Consolation of Apollo. Houston Chamber Chorale, Robert Simpson, St. Philip Presbyterian, Houston
7, 8 Dec. The Consolation of Apollo. New version, with string orchestra. Plus PREMIERE of new Christmas carol. Bethlehem Bach Choir, Christopher Jackson, Allentown, Bethlehem, PA

Previous Calendars here.

YouTube Channel here.

The three-time Grammy-nominated music of Kile Smith is hailed for its strong voice, sheer beauty, and “profoundly direct emotional appeal.” Commissioned by The Crossing, Conspirare, and many of the nation’s top professional and university choirs, he is regularly performed nationally and internationally. Craig Hella Johnson calls Kile “one of our most important composers…his voice is unlike any other. Utterly unique.” Cincinnati Movers and Shakers wrote, “Kile Smith is reshaping the choral repertoire.” Gramophone called his Vespers “spectacular,” American Record Guide, “a major new work,” and Audiophile Audition, “a masterpiece of the deepest kind…easily one of the best releases of the year of any type.”

The Dawn’s Early Light with the L.A. Guitar Quartet was a 2022 Grammy nominee for Best Choral Performance (Conspirare), and The Arc in the Sky likewise in 2020 (The Crossing). Canticle (Cincinnati’s Vocal Arts Ensemble) helped win the 2020 Classical Producer of the Year Grammy for Blanton Alspaugh.

Kile’s children’s work Bremen Town Musicians was recorded by the English Symphony Orchestra with actor/comedian Gemma Whelan as narrator. The Consolation of Apollo continues its run of over 60 performances. He’s written works for Philadelphia Orchestra concertmaster David Kim, principal horn Jennifer Montone, and principal clarinet Ricardo Morales. Kile’s anthems are regularly heard in churches across the country. His first opera, The Book of Job, co-commissioned by The Crossing and Conspirare, will premiere soon in Philadelphia and Austin. He is published by Hal Leonard, ECS, GIA, Concordia, and is distributed by MusicSpoke. Longer bio here. [Photo Credit: A. J. Waltz]