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Tom Purdom’s review is here. He likes The Waking Sun a lot, although he thinks that my handling of Seneca doesn’t reflect as integrated a worldview as my recent works on Christian themes (Exsultet, Vespers, and Two Laudate Psalms). But it is inventive and expressive as they are, he writes. The Tantalus section seemed to resonate particularly. I’m hearing that from many people. The Crossing receives well-deserved praise for all the performances.

A letter responds to his review here, with especially nice things to say about the finale. Thank you, both!

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