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In “Masterpiece brings packed house Sunday to Hill church,” Michael Caruso called the 2008 premiere of Vespers “a masterpiece of composition within the context of religious devotion,” singling out as “most impressive” my “commitment to the powerful traditions of German Lutheran piety as expressed in music.”

He then says about Sunday’s (Jan. 8th) performance, that the “marvel of Smith’s music is found in its ability to sound both old and new at one and the same time. The timbres of Piffaro’s Renaissance instruments and the straight-tone singing of The Crossing recall the music of centuries ago, as does Smith’s sophisticated use of contrapuntal techniques.”

Caruso rightly praises Donald Nally, who “elicited flawless singing and exuberant playing from his musicians.”

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