Randall Thompson, Alleluia

The last of six brief descriptions of music I’ve written up for WRTI’s 60th Anniversary Classical Collection of listener favorites. Here is a fuller description of the project, under the first post, the Ave Maria of Franz Biebl.

ThompsonAlleluia480Randall ThompsonAlleluia. Voices of Ascension, Dennis Keene. Hear My Prayer. Delos 3300, Tr 2

From Randall Thompson, then Director of the Curtis Institute of Music, Serge Koussevitzky wanted a choral fanfare, loud and festive, for the opening of the Berkshire Music Center at Tanglewood. But Thompson couldn’t do festive, not in July 1940. Evil was spreading in Europe, and France had fallen the month before.

Over five days Thompson took the word “Alleluia”—literally, “Praise the Lord”—and turned it on its head, just as (he said later) it is in the Book of Job: “The Lord gave and the Lord has taken away. Blessed be the name of the Lord.” Thompson calls this a sad piece, this slow and insistent six-minute layered intoning of “Alleluia,” ending in “Amen.” It’s an atypical fanfare, but the Thompson Alleluia is one of the most beloved choral works of all time.

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