"sounds like no other music"—Miami Herald | "spectacular, profoundly contemporary"—Gramophone | "magnificent"—Fanfare | "breathtaking, spellbinding"—Philadelphia Inquirer | "profoundly direct emotional appeal"—Audiophile Audition | "almost preternaturally beautiful"—Philadelphia City Paper
It’s ice and echoes on Now Is the Time, Saturday, January 31st at 9 pm Eastern on the all-classical stream at wrti.org and WRTI-HD2. Figure-skating and Stravinsky inspire Joan Tower’s gliding Petroushskates, and Allen Ginsberg narrates his own poem in Echorus by Philip Glass, for two violins and strings. From the CD Winter is Eric Ewazen’s Elegia, for trumpet and piano.
The Tibetan Heart Mantra is at the center of Echoes by Paul Fowler, for the women of The Crossing, and Peru echoes in the harpsichord work by Kent Holliday, Dances from Colca Canyon. Barton McLean runs environmentalist John Muir’s descriptions of glaciers through his own software to construct Ice Canyons. The echoes of minimalism by way of Steve Reich close out the program, in this recording of New York Counterpoint arranged by saxophonist Dave Camwell for his CD Time Scape.
David Osenberg interviews my friends in the Baroque/new music chamber group Mélomanie tonight on WWFM’s Cadenza, Thursday at 10 pm Eastern, with a rebroadcast at 7 am Saturday January 31st.
Two movements from my dance suite The Nobility of Women will air. This sextet for Baroque instruments is from their new CD Excursions; read more about their new all-contemporary CD at Mélomanie’s website here.
Above, from a rehearsal—must be the Magnificat—tenors & altos, Priscilla Herreid working the tenor dulcian, Bob Wiemken hidden behind the earth-moving octavebass dulcian, oh yeah.
So many thanks to Northwestern University’s Institute for New Music, the Evelyn Dunbar Early Music Festival, Millar Chapel, St. James Cathedral in Chicago, and the astounding musicians of BCE. I can hardly believe the work they did for this. None of this would have been possible without Donald Nally, whose leadership, vision, and creativity inspire all of us, and Piffaro, without whom Vespers would not exist.
It’s time for some warmth in the midst of winter on Now Is the Time, Saturday, January 24th at 9 pm. From The Crossing’s 2013 Christmas Daybreak CD is Benjamin C. S. Boyle’s Three Carols for Wintertide, holding up for our consideration a rose, holly and ivy, and rosemary. For Nothing is Fred Frith’s music considering the Buddha nature; it’s for contralto with the unusual string quartet of two violins, cello, and viola da gamba. Katherine Hoover paints the image of a Native American flutist in Winter Spirits, and Adrienne Albert offers the soft Winter Solace for saxophone and piano.
And in the middle of our winter program is a powerful statement of warmth and lyricism; it’s the Symphony No. 1 of Steven R. Gerber.
from Benjamin C. S. Boyle: Three Carols for Wintertide
Also on the program are songs of Copland, Schubert, Poulenc, Rachmaninoff, and Stravinsky.
I first wrote two of the three songs for the centenary of the poet’s death; my wife Jackie sang them in front of a slew of international Hopkins scholars at St. Joseph’s University. I was petrified that they would ferret out inappropriate accents in my settings, as Hopkins is, how shall I say, accentual, but Jackie won them over effortlessly. If I made any missteps the professors kept them to themselves and warmly thanked me. Here’s more about the Hopkins songs, which go way back and which have been transposed, revised, and orchestrated.
The New York Times praises Sarah for her “luminous voice” and “intensely expressive interpretations,” and Opera News calls her “remarkable, artistically mature,” and “a singer to watch.” She’s a sought-after operatic and concert artist, and I’m so pleased to have my songs performed by her.
January 24, 2015, Millar Chapel, Northwestern University, Evanston (Institute for New Music) January 25, 2015, St. James Cathedral, Chicago (Presented in collaboration with the Evelyn Dunbar Early Music Festival) Bienen Contemporary/Early Vocal Ensemble and Piffaro, The Renaissance Band, Donald Nally conducting
Everything’s coming up threes on Now Is the Time, Saturday, January 10th at 9 pm. Childlike simplicity is deceptive in creativity but Brian Belet achieves that goal in Drei Kinderstücke for solo piano. John Corigliano fascinatingly pairs soprano with flute for his Three Irish Folksong Settings, and for soprano with piano are settings of a Scottish poet in Three Tannahill Songs of Evan Chambers.
Philadelphia’s own David Bennett Thomas comes along with Three Pieces for Clarinet and Piano, and for violin, cello, and piano is the Trio of Lera Auerbach. And to honor the memory of Fred Sturm, who just passed away in August, a saxophone quartet closes the program with one of his wonderful jazz-inspired compositions, Picasso Cubed.
Every Saturday night at 9 Eastern, Kile Smith hosts Now Is the Time, all styles of contemporary concert music by living American composers on WRTI’s all-classical stream. Just go to wrti.org and click on the Listen: Classical button at the top of any page. In the Philadelphia area with an HD radio? Dial us up at 90.1 FM-HD2, or find all the frequencies here, from the Jersey Shore to the Poconos to Harrisburg to Delaware. Thanks for supporting American contemporary music on WRTI!