Two Englishmen, Guy Wood and Robert Mellin, slipped it into the Great American Songbook just before it closed, just as rock rolled over sophistication. It begins from below, a slowly twisting Roman candle of a tune, and explodes in the top range of the singer, as the eyes of onlookers reflect the glory of what songs once were.
Sinatra recorded “My One and Only Love” right away, in 1953, but ten years later John Coltrane and Johnny Hartman made it a landmark of an age.
Coltrane’s tenor saxophone sounds as if it’s made of something not of this world, and yet it is uncannily apt. Every note is a discovery, every phrase an experiment that comes out exactly right.
Johnny Hartman sings the way every man wishes to sing—an everyman standing up in a room suddenly silent—sounding like a man, but a man who breaks his heart open, and yours. And just when he sounds like anybody, that voice turns into one in ten million.
John Coltrane and Johnny Hartman spread their mystic charms, especially in the high ranges of their low instruments. In “My One and Only Love” they made a song for the ages. Remember what songs once were.