by Kile Smith | Aug 12, 2018 | Fleisher Collection, Radio, WRTI
On Discoveries from the Fleisher Collection, Saturday, August 4, 5–6 pm… We had a taste of Richard Strauss on our last Discoveries from the Fleisher Collection, a program with another Strauss, Johann Jr., and Edward MacDowell. Today we’ll look just at Richard...
by Kile Smith | Jul 7, 2018 | Classical music, Fleisher Collection, Radio, WRTI
A few days after Independence Day, we continue looking at the American composer on Discoveries from the Fleisher Collection Saturday, July 7th at 5 pm, as we have for the past few months. But on today’s program we’ll view one of the greatest of them within an...
by Kile Smith | May 27, 2018 | American music, Classical music, Fleisher Collection, Radio, WRTI
On Fleisher Discoveries, Saturday June 2nd, 5–6 pm… As we’ve noted in other Discoveries programs, Edwin Fleisher did not, in 1909, intend to found an “Edwin A. Fleisher Collection of Orchestral Music”; rather, he started the Symphony Club. This was a place—he...
by Kile Smith | Apr 30, 2018 | American music, Classical music, Fleisher Collection, String Orchestra, WRTI
We keep one composer and swap out two from last month’s American Romantics program on Discoveries from the Fleisher Collection. The two new composers are two Arthurs—Bird and Foote—and we’ll hear music they first wrote for other purposes. Arthur Foote’s Theme and...
by Kile Smith | Apr 2, 2018 | American music, Classical music, Fleisher Collection, Radio, WRTI
On Discoveries from the Fleisher Collection, Saturday, April 7th, 5–6 pm… The history of a musical era is as difficult to capture as the history of a house. If your house was built in, say, 1880, you might fill it with Victorian furniture and feel satisfied with...
by Kile Smith | Mar 7, 2018 | Broad Street Review, Chamber Music, Fleisher Collection, new music
A tune came to me one morning as I walked down the hallway, about to turn the 180 degrees into the stairwell leading up to the third floor. That’s where I compose. I mention the tune coming to me because it hardly ever happens. It may happen to other composers, but...
