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Mazurka for guitar

Mazurka for guitar

Mazurka for guitar. 3′. 1984, rev. 2018. MIDI recording: A transcription of the Mazurka for piano from 1983. I mention Mazurka in a peripatetic ramble here about my guitar composing. I believe I wrote it for Bill Ghezzi as my first try at writing for guitar. My...
Totentanz

Totentanz

Totentanz for guitar. 5′. 1994, rev. 2005. Premiere recording: Written for Bill Ghezzi and premiered by him at the George Antheil Music Festival, Trenton, NJ, in 1994. I mention Totentanz in a fairly peripatetic ramble here about my composing for guitar. What I...
A Child’s Afternoon

A Child’s Afternoon

A Child’s Afternoon. Two characteristic pieces for flute and organ, 9′. In two movements: (1) No one to play with, (2) Someone to play with. Commissioned by Anna Meyer. Premiered Anna Meyer, flute, and Erik Meyer, organ, 2018–19 season.
And Seeing the Multitudes

And Seeing the Multitudes

And Seeing the Multitudes is a cello concerto commissioned by the Helena Symphony as part of my 2014-15 residency with them for their 60th anniversary. It was written for Ovidiu Marinescu. The music director, and the driving force behind this project and the entire...
Variations on a Theme of Schubert

Variations on a Theme of Schubert

Variations on a Theme of Schubert Solo Piano, 17′ Solo Piano—2222—2100—timp, 1 perc—str. 17′. Full score   The theme is from Schubert’s song “An mein Klavier,” or “To my Piano.” Following the theme are seven variations, each exploiting significant...