by Kile Smith | Jul 3, 2019
Ballad and March for Organ. 5′. Premiered 19 Aug 2017, Margaret Harper, Central Congregation Church, Newburyport, MA, Newburyport Summer Music Festival. Transcribed for solo organ from Plain Truths, a song cycle for baritone and string quartet or piano. “Annie...
by Kile Smith | Dec 29, 2018
Mazurka for guitar. 3′. 1984, rev. 2018. MIDI recording: A transcription of the Mazurka for piano from 1983. I mention Mazurka in a peripatetic ramble here about my guitar composing. I believe I wrote it for Bill Ghezzi as my first try at writing for guitar. My...
by Kile Smith | Dec 29, 2018
Totentanz for guitar. 5′. 1994, rev. 2005. Premiere recording: Written for Bill Ghezzi and premiered by him at the George Antheil Music Festival, Trenton, NJ, in 1994. I mention Totentanz in a fairly peripatetic ramble here about my composing for guitar. What I...
by Kile Smith | Sep 6, 2018
A Child’s Afternoon. Two characteristic pieces for flute and organ, 9′. In two movements: (1) No one to play with, (2) Someone to play with. Commissioned by Anna Meyer. Premiered Anna Meyer, flute, and Erik Meyer, organ, 2018–19 season.
by Kile Smith | Jun 13, 2018
And Seeing the Multitudes is a cello concerto commissioned by the Helena Symphony as part of my 2014-15 residency with them for their 60th anniversary. It was written for Ovidiu Marinescu. The music director, and the driving force behind this project and the entire...
