by Kile Smith | Dec 29, 2018
Mazurka for guitar. 3′. 1984, rev. 2018. MIDI recording: A transcription of the Mazurka for piano from 1983. I mention Mazurka in a peripatetic ramble here about my guitar composing. I believe I wrote it for Bill Ghezzi as my first try at writing for guitar. My...
by Kile Smith | Dec 29, 2018
Totentanz for guitar. 5′. 1994, rev. 2005. Premiere recording: Written for Bill Ghezzi and premiered by him at the George Antheil Music Festival, Trenton, NJ, in 1994. I mention Totentanz in a fairly peripatetic ramble here about my composing for guitar. What I...
by Kile Smith | Sep 6, 2018
A Child’s Afternoon. Two characteristic pieces for flute and organ, 9′. In two movements: (1) No one to play with, (2) Someone to play with. Commissioned by Anna Meyer. Premiered Anna Meyer, flute, and Erik Meyer, organ, 2018–19 season.
by Kile Smith | Jun 13, 2018
And Seeing the Multitudes is a cello concerto commissioned by the Helena Symphony as part of my 2014-15 residency with them for their 60th anniversary. It was written for Ovidiu Marinescu. The music director, and the driving force behind this project and the entire...
by Kile Smith | Feb 9, 2018
Variations on a Theme of Schubert Solo Piano, 17′ Solo Piano—2222—2100—timp, 1 perc—str. 17′. Full score The theme is from Schubert’s song “An mein Klavier,” or “To my Piano.” Following the theme are seven variations, each exploiting significant...
