"sounds like no other music"—Miami Herald | "spectacular, profoundly contemporary"—Gramophone | "magnificent"—Fanfare | "spellbinding"—Philadelphia Inquirer | "profoundly direct emotional appeal"—Audiophile Audition | "almost preternaturally beautiful"—Philadelphia City Paper
Music of memories sleeping and waking inhabit Now Is the Time on WRTI this Saturday, December 10th at 9 pm. A sparkling duo for violin and piano is A Dream of Waking by Dan Becker, and Elizabeth Brown walks us through the mnemonic device of remembrance in The Memory Palace for a trio of flute, cello, and piano. Brown is the flutist, also. Curt Cacioppo takes us through his own memories of Italy in his string quartet Divertimenti in Italia.
The sliding jazz of Adam Berenson’s Prose Surrealism leads us into the Wordsworth-inspired Evening Voluntaries of William Kraft for French horn, and then Dan Becker closes the program with a re-imagining of Bach in ReInvention 3F.
Dan Becker: A Dream of Waking
Elizabeth Brown: The Memory Palace
Curt Cacioppo: Divertimenti in Italia (String Quartet No. 6)
Adam Berenson: Prose Surrealism
William Kraft: Evening Voluntaries
Dan Becker: ReInvention 3F
Every Saturday night at 9 Eastern, Kile Smith plays new American classical music on WRTI’s Now Is the Time, at wrti.org and on HD-2. At wrti.orgclick on the Listen: Classical button at the top of any page. Thanks for supporting American contemporary music on WRTI!
We arrive at the corner of Jazz and Classical on Now Is the Time, Saturday, April 12th at 9 pm at wrti.org and WRTI-HD2. Chicago a cappella scats with Pleasure the music of Malcolm Dalglish, and solo piano tries out David Baker’s Jazz Dance Suite as well as The Blue Hula by Tobias Picker.
John Musto’s Divertimento for chamber ensemble has jazz and popular music overtones, but there’s no mistaking the straight-ahead jazz worldview in three works by Philadelphia’s Adam Berenson (even if he turns a corner here and there), from his brand-new 2-CD release Lumen. He’s the pianist, along with bass and drums, in his Late 20th Century Stomp, Emotional Idiot, and Respectable People.